Wednesday, November 30, 2011

Canto for Caritas



Tomorrow evening some brand new pieces will be offered at the Canto for Caritas charity evening of music and art (Richmond Hill Centre for the Performing Arts,6 p.m. to 9:30p.m.). I have donated apiece for silent auction (Linea Verde) and % of all sales will benefit Caritas. The charity has been an important part of the community in its effort to help rehabilitate individuals and prepare them to re-enter society as whole persons ready to contribute after struggles with addiction. The mentors and helpers are silent heroes who work tirelessly. I look forward to a great evening of entertainment for a great cause.

Sunday, November 20, 2011

Contrasts

What an unusual and interesting weekend! We were in Prince Edward County on Saturday at Huff Estates and more specifically, Oeno Gallery. In contrast, we lined up to meet Robert Bateman on Sunday afternoon in Newmarket. I say contrast because the galleries themselves are at opposite ends of the spectrum in the world of art and one would expect the Newmarket gallery in the country whereas Oenoo is the most unexpected type of gallery in the country. The architecture is urban and modern and the atmosphere uplifting and sophisticated, not what one usually finds in rural Ontario. It is worth the trip for many reasons-with the art at the top of the list. The gallery itself is not confined to the interior space which is perfect for viewing the collection due to an abundance of natural light. The outdoor sculpture garden is captivating at this time of year and I imagine it must be stunning when in full bloom. You need at least an hour to see the sculpture collection alone. So let's see-good art, good wine, beautiful countryside--I'm in! http://www.oenogallery.com/


Why did I want to meet Robert Bateman? Because he's a champion of the environment? Because he's a wildlife artist? Because his prints can be found everywhere in Canada? NO.


Because I admire Robert Bateman as a minimal abstract painter. That's right-a b s t r a c t. Say it slowly--aaabbbssstttrrraaacccttt! His exploration of the "dark" side of painting is, in my opinion, why many of his "wildlife" pieces are not just depictions or illustrations-but haunting images which have seeped into the collective visual conciousness of a nation. Like the late Ken Danby's At The Crease- love it or hate it---you know it. You can't deny the Bateman touch and as an artist, this is the true accomplishment. The signature style. And that, in reality, has nothing to do with wildlife and nature and everything to do with the man as a living Canadian Icon. If you are one of the fortunate few to actually have an early Bateman original abstract painting (his mother even hated) I salute you.


He and I chatted briefly and we posed for pictures with collectors. How cool.


Classical, baroque, rock, jazz- it's all good! P.S. The large abstract above is titled: "Urbanissimo" and is finished in resin on a birch ply base. It is a rather large set of three panels each of which is 96 inches in width. For more information, please contact me at pietroadamo@rogers.com.